ITH McGREGOR'S COOPERATION and Green's supervision, Barr had pulled off a most subversive stunt: he had taken a set of utterly anti-commercial tape recordings and had snookered two major publishing firms into releasing versions of them. Although still as fascinated as ever by their haunting occurrence, there was little more to be accomplished by his taping of further dreams. In 1967 McGregor finally got a place of his own, on E. 3rd Street in a building directly across from the Hell's Angels' stomping ground. He referred to the place as Fear Village, and so naturally didn't spend a whole lot of time there, but he wasn't spending many nights at Barr's apartment anymore, either. Mike Barr was finally forced to hit the Stop button on his tapings of the somniloquies of Dion McGregor.
To this day, though, Michael Barr refers to those tapes as "the paramount thing in my life." Early on, Barr and McGregor started thinking of them as the basis for a musical they would write. They even had a serious nibble towards getting a show produced, but, in a fashion that would repeat itself over and over again in McGregor's professional life, nothing came of it. But it is an idea which Barr has continued to develop over the years. He has finally completed a musical version of The Dream World Of Dion McGregor, which will interweave the original dream-tapes with his own songs and those he and McGregor wrote together. He is currently shopping around a demo tape in the hopes of finding a producer.
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DION McGREGOR DREAMS AGAIN